[Performance Introduction]
Sori Clavier Ensemble's regular concert this season features masterpieces centered on opera arias, arranged for two pianos with four and eight hands.
Both Part 1 and Part 2 open with suites that serve as overtures, setting the emotional tone and dramatic atmosphere of the entire performance.
The overture, reinterpreted through piano ensemble, creates anticipation and tension before the operatic stage curtain rises, naturally drawing the audience into the musical narrative.
The arias and operatic masterpieces that follow unfold the emotional texture of vocal music through the unique timbre of the piano and the ensemble's closely coordinated breathing. The delicate dialogue created by two pianos and four hands, along with the grand sound unfolded by eight hands, renders the drama of opera—spanning love, tragedy, joy, and tension—in a more three-dimensional manner.
Through this concert, Sori Clavier Ensemble reconstructs the flow of opera from overture to aria in the language unique to piano ensemble, while presenting the expanded possibilities of piano music that transcend genre.
◆A. Arensky - Suite Op. 15
◆G. Bizet - Carmen Fantasy
◆R. Wagner - Der fliegende Holländer Overture
◆W.A. Mozart - Le Nozze di Figaro Overture
◆M. Glinka - Ruslan and Lyudmila Overture
◆S. Rachmaninoff - Suite No. 2, Op. 17 IV. Tarantella
◆F. Liszt - Réminiscences de Don Juan
◆G. Rossini - Wilhelm Tell Overture
◆W.A. Mozart - Magic Flute Overture
◆C. Gounod - Waltz from "Faust"